Someone Alice McDermott

Someone Alice McDermott

Overview:

A fully realized portrait of one woman’s life in all its complexity, by the National Book Award–winning author

An ordinary life—its sharp pains and unexpected joys, its bursts of clarity and moments of confusion—lived by an ordinary woman: this is the subject of Someone, Alice McDermott’s extraordinary return, seven years after the publication of After This. Scattered recollections—of childhood, adolescence, motherhood, old age—come together in this transformative narrative, stitched into a vibrant whole by McDermott’s deft, lyrical voice.

Our first glimpse of Marie is as a child: a girl in glasses waiting on a Brooklyn stoop for her beloved father to come home from work. A seemingly innocuous encounter with a young woman named Pegeen sets the bittersweet tone of this remarkable novel. Pegeen describes herself as an “amadan,” a fool; indeed, soon after her chat with Marie, Pegeen tumbles down her own basement stairs. The magic of McDermott’s novel lies in how it reveals us all as fools for this or that, in one way or another.

Marie’s first heartbreak and her eventual marriage; her brother’s brief stint as a Catholic priest, subsequent loss of faith, and eventual breakdown; the Second World War; her parents’ deaths; the births and lives of Marie’s children; the changing world of her Irish-American enclave in Brooklyn—McDermott sketches all of it with sympathy and insight. This is a novel that speaks of life as it is daily lived; a crowning achievement by one of the finest American writers at work today.

Praise for Someone:

“In this deceptively simple tour de force, McDermott . . . lays bare the keenly observed life of Marie Commeford, an ordinary woman whose compromised eyesight makes her both figuratively and literally unable to see the world for what it is . . . We come to feel for this unremarkable woman, whose vulnerability makes her all the more winning—and makes her worthy of our attention. And that’s why McDermott, a three-time Pulitzer nominee, is such an exceptional writer: in her hands, an uncomplicated life becomes singularly fascinating, revealing the heart of a woman whose defeats make us ache and whose triumphs we cheer. Marie’s vision (and ours) eventually clears, and she comes to understand that what she so often failed to see lay right in front of her eyes.” —Publishers Weekly (starred)

“One of the author’s most trenchant explorations into the heart and soul of the 20th-century Irish-American family . . . Marie’s straightforward narration is interrupted with occasional jumps back and forward in time that create both a sense of foreboding and continuity as well as a mediation on the nature of sorrow . . . Marie and Gabe are compelling in their basic goodness, as is McDermott’s elegy to a vanished world.” —Kirkus

“Readers who love refined, unhurried, emotionally fluent fiction will rejoice at National Book Award–winner McDermott’s return. McDermott . . . is a master of hidden intensities, intricate textures, spiked dialogue, and sparkling wit. We first meet Marie at age seven, when she’s sitting on the stoop in her tight-knit, Irish-Catholic Brooklyn neighborhood, waiting for her father to come home from work. Down the street, boys play stickball, consulting with dapper Billy, their blind umpire, an injured WWI vet. Tragedies and scandals surge through the enclave, providing rough initiations into sex and death . . . A marvel of subtle modulations, McDermott’s keenly observed, fluently humane, quietly enthralling novel of conformity and selfhood, of ‘lace-curtain pretensions’ as shield and camouflage, celebrates family, community, and ‘the grace of a shared past.’” —Donna Seaman, Booklist (starred)

Praise for Child of My Heart

“There is the temptation, after reading Alice McDermott, to read nothing else for the longest time—to hold every exquisite word of her most exquisite novels in your head . . . That she exercises patience, compassion and wisdom where others emphasize strut, that she trusts herself with the power of scenes over the inflated intricacies of complicated plot. There is the temptation to use the word ‘genius’ in association with McDermott’s name.” —Beth Kephart, The Baltimore Sun

“A wondrous new novel . . . Child of My Heart extends [McDermott’s] artistic triumphs, and we should rejoyce.” —Los Angeles Times Book Review

“A master . . . As good as any literary novelist writing today, and when I say that I include the big guns: Russell Banks, Philip Roth, Toni Morrison . . . All [McDermott's] books mirror the essential truths of existence so sure-handedly that they are neither comedies nor tragedies, but merely true.” —Anna Quindlen

“Has something classic about it . . . [Its] craftsmanship and its moral intelligence are as one . . . Immaculate.” —The New York Times Book Review

“Richly textured, intricately woven . . . A work not only of, but about, the imagination.” —Margaret Atwood, The New York Review of Books

“In a league of her own.” —People

“We have echoes and stirrings of Hardy, Shakespeare, Dickens, James, Beatrix Potter, Christina Rosetti . . . [Theresa] is a vessel containing a multitude of heroines, a transcendence of ethereal beauties who loved and live in the minds of their readers and inventors.” —Chicago Tribune

“A quietly enchanting novel, graced by McDermott's well-calibrated writing and observant eye . . . Filled with subtle truths and hard-won wisdom.” —The Charlotte Observer

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And Blessed Are The Ones Who Care For Their Fellow Men!