Wednesday 19 June 2013

The Ocean at the End of the Lane Neil Gaiman

The Ocean at the End of the Lane Neil Gaiman





Overview:

THE OCEAN AT THE END OF THE LANE is a fable that reshapes modern fantasy: moving, terrifying and elegiac - as pure as a dream, as delicate as a butterfly's wing, as dangerous as a knife in the dark, from storytelling genius Neil Gaiman.

A major new work from "a writer to make readers rejoice" (Minneapolis Star Tribune)—a moving story of memory, magic, and survival

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

“Poignant and heartbreaking, eloquent and frightening, impeccably rendered, it’s a fable that reminds us how our lives are shaped by childhood experiences, what we gain from them and the price we pay.” (Kirkus Reviews (starred review))

“Gaiman mines mythological typology--the three-foldgoddess, the water of life (the pond, actually an ocean)--and his own childhood milieu to build the cosmology and theater of a story he tells more gracefully than any he’s told since Stardust...[a] lovely yarn.” (Booklist (starred review) on OCEAN AT THE END OF THE LANE)

“This slim novel, gorgeously written, keeps its talons in your long after you’ve finished.” (New York Post on THE OCEAN AT THE END OF THE LANE)

“In Gaiman’s latest romp through otherworldly adventure, a young boy discovers a neighboring family’s supernatural secret. Soon his innocence is tested by ancient, magical forces, and he learns the power of true friendship. The result is a captivating read, equal parts sweet, sad, and spooky.”” (Parade on THE OCEAN AT THE END OF THE LANE)

“His prose is simple but poetic, his world strange but utterly believable - if he was South American we would call this magic realism rather than fantasy.” (The Times (London) on THE OCEAN AT THE END OF THE LANE)

“Some books you read. Some books you enjoy. But some books just swallow you up, heart and soul.” (Joanne Harris)

“I loved it!” (Roddy Doyle)

“Gaiman's achievement is to make the fantasy world seem true.” (The Times)

“It's possibly Gaiman's most lyrical, scary and beautiful work yet. It's a tale about childhood for grown-ups, a fantasy rooted in the darkest corners of reality. It is a story he's been waiting all his life to tell.” (Independent on Sunday)

“A hugely satisfying scary fantasy and a moving, subtle exploration of family, of what it's really like to be a child, and how the memories of childhood affect the adults we become. It's a wonderful book.” (Irish Times)

“The most affecting book Gaiman has written, a novel whose intensity of real-world observation and feeling make its other-worldly episodes doubly startling and persuasive.” (Daily Telegraph)

“This beautiful fable with flashes of terror and sparks of humour is about memory and magic and the darkness that lives without and within. Loneliness and longing saturate the pages but so does the redemptive power of friendship in the person of the magnificently adorable Lettie Hempstock.” (Cathy Rentzenbrink, The Bookseller)

“It's a very rare thing, maybe once a decade, for a novel to come along and within a few pages you know you're reading a future classic. If you haven't heard of Neil Gaiman yet you can be forgiven, but this, his sixth adult novel, will firmly cement his handprints in the literary walk of fame...this is one of those stories that is almost primitive in its power - it captures you heart and soul, and makes you grateful we have storytellers like Gaiman to feed our minds and stoke our imaginations. The Ocean at the End of the Lane is this year's big bang book.” (Stylist Magazine)

“This is a book to sink into, allowing yourself to be gradually pulled along by its currents, into a childhood that's half remembered. Events take place over just a few days, and since the consequences of his actions are forgotten by the main character, it's easy to believe that nothing of importance has really happened. But experiencing those few days, that snippet of a childhood and a quest for survival in a world that's already terrifying for children is a joy, an experience that will stay with you long after the final page is turned.” (SFX Magazine)

“Dark, strange and scarily brilliant: an otherworldly fable about memories and magic.” (Marie Claire)

“I really don't want to say too much about the story itself. I will say it is short as it focused on one event, one wrong that needs to be put right. And because of that focus Neil Gaiman is free to explore the minor but significant details as well as look at the grander parts of life. It made me smile, it made me sad, it made my heart ache and it made me think. "What else could I ask for?" Read it.” (GavReads)

“A book that will resonate powerfully with anyone attempting to process the darker aspects of their own childhood. And in an age when childhood ends early, and often brutally, that makes it a book for almost everyone.” (Medium)

“If it's not just for adults, and not quite for children, there is one age-flexible group it is written for. An obtuse thing to say about a book it may be, but The Ocean at the End of the Lane was written for readers. It's for people to whom books were and are anaesthesia, companion, and tutor. If you're one of them, you'll want to wade into it, past your ankles, knees and shoulders, until it laps over the crown of your head. You'll want to dive in.” (Den of Geek)

“A mind-bending tale with a hint of horror.” (Glamour)


ENJOYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!




And Blessed Are The Ones Who Care For Their Fellow Men!









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