Overview:
What I Loved begins in New York in 1975. It is a deeply touching elegiac novel that mourns for the New York artistic life, which was of a time but now has gone--by extension, it is about all losses swept away by mischance and time. Half-blind and alone, Leo tells us of marriage and friendship, and makes the sheer fragility of what seemed forever not only his subject, but perhaps the only subject worth considering. Scholars Leo and his wife Erica admire, and befriend, artist Bill and his first and second wives--their respective sons Matthew and Mark grow up together until the first of a series of tragedies strikes. And things get gradually worse from then on, both because terrible things happen and because people do not get over them.
Part of the strength of this impressive novel is its emotional intensity and part is the context in which those emotions exist; these are smart and talented people, even the children, and we luxuriate, even when things are at their worst, in the sheer intelligence they bring to bear on their situations. It is also impressive that, for Hustvedt, intelligence is an end in itself rather than something that prevents tragedy or makes it more bearable. This is a powerful book because everything Leo knows makes him ever more the victim of exquisite pain. --Roz Kaveney
"Superb. . .What I Loved is a rare thing, a page turner written at full intellectual stretch, serious but witty, large-minded and morally engaged." --The New York Times Book Review
"So richly imagined is the art in her book that it serves not just to illuminate hidden emotions but also as a subject in itself. . .A wrenching portrait of parental grief, then a psychological thriller, and finally a meditation on the perspective of memory."--Vogue
"A great book. The twinning of narrative pleasure with intellectual rigor isn't rare. In fact, it's easy to find if you're plowing through, say, the Modern Library, engaging with classics that come to you already canonized and annointed. But to stumble into such a relationship with a contemporary. . .writer is a heady feeling. Those of us who read new fiction dream of finding such a book." --Newsday
"No image is wasted, no sentence superfluous in creating a novel that teems with ideas, emotions.... Hustvedt's novel is a quietly astounding work of fiction that defies categorization."--Los Angeles Times
"A remarkable achievement of Siri Hustvedt's prose, with its attention to nuance and intricacy is its demonstration that friendship is a powerful form of intelligence. The book's final pages acknowledge nearly overwhelming loss, but because the reader understands so much, their sadness feels almost like joy."--The Washington Post
ENJOYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!
And Blessed Are The Ones Who Care For Their
Fellow Men!
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